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Martina Filjak

One of the most exciting young artists to emerge in recent years, Martina Filjak is garnering international praise for her poetic passion and technical mastery at the keyboard as well as for her charismatic personality and magnetic stage presence. Martina Filjak came to international attention by winning the Gold Medal, the 1st prize and the Beethoven prize at the Cleveland International Piano Competition in 2009, which brought her numerous engagements in the United States and internationally...
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Thuille, Poulenc, Françaix Sextets

Her artistic career has led her to many of the world’s major music centers. Margarita Höhenrieder has played many concerts as soloist with conductors like Kirill Petrenko, Claudio Abbado, Lorin Maazel, James Levine, Riccardo Chailly, and Fabio Luisi, and with such orchestras as the Bavarian Radio Symphony Orchestra, the Munich Philharmonic, the New York Philharmonic, the Staatskapelle Dresden, the Gewandhaus Orchestra in Leipzig, the Salzburg Mozarteum Orchestra and the Mahler Chamber Orchestra.   She has been a friend of Harald Genzmer for many years...
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Auszüge aus Der Nussknacker - Geschichte eines Nussknackers

Auf dieser Doppel-CD präsentieren die Münchner Symphoniker sich unter der Leitung von Chefdirigent Kevin John Edusei mit Auszügen aus Peter Tschaikowskys beliebter Ballettmusik „Der Nussknacker“. Auf der zweiten CD findet sich die „Geschichte eines Nussknackers“ von Alexandre Dumas, einer weniger bekannten Nacherzählung von E.T.A. Hoffmanns berühmtem „Original-Nussknacker“. Dumas‘ Version der Nussknacker-Geschichte diente als Vorlage für die Ballettmusik von Tschaikowsky...
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Berg/Brahms

Alban Berg and Johannes Brahms are surely each among the most important composers of their time. Even if they are separated chronologically and stylistically, there is a link: Brahms was only 20 when he wrote his Piano Sonata in F minor (op. 5), his third and last in the genre. After Alban Berg composed his Piano Sonata (op. 1) he never wrote another. Pianist Florian Krumpöck presents these two contrasting yet comparable works on this recording. Internationally celebrated as both a soloist and conductor, Florian Krumpöck has more than proven his outstanding capability on the international concert scene...
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Russian Treasures - Titz - Glasunow - Tschaikowsky

From the very beginning, St. Petersburg - the gloriously petrified vision of Tsar Peter the Great, was a city of art and music. The highest paid employee in the Tsarist palace was a violinist from Nuremberg: Anton Ferdinand Titz. He dedicated his life to chamber music. With his colorful, brilliant quartets in the tradition of the 'Wiener Klassik' he himself founded a Russian tradition around 1800. Decades later Alexander Glazunov made big sensation as a young composing dare devil. During his magnificent 1st symphony he also wrote the 5 Novellettes op. 15...
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Joseph Joachim RAFF: «Sanges Frühling» op. 98 & «Maria Stuart» op. 172

Joachim Raff, born 1822 in Switzerland, was an important composer of the 19th century. Franz Liszt – who’s assistant he was from 1850 to 1856 - had great benefit from Raff’s talent for instrumentation. He had influence e.g. on Tchaikovsky, Mahler, and Debussy. Two world premiere recordings: Sanges-Frühling(Springtime of Song) Op. 98, a collection of 30 compositions for voice with pianoforte, written between 1855 and 1863, is a true discovery, followed by the cycle Maria Stuart Op. 172 (12 songs), written in 1872, which takes us back to the busy 16th century...
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Being EaRNeST

There are always artistswho stay true to a specific language, imagery and ideals. Their tone might seem modest and their gaze gives an impression to be turned backwards. From William Morris to Brahms, Handel to Goethe, this view has strangely provided them with an endless vitality. Then there are others who search for the Holy Grail only to never find it, for new horizons and new harmonies, burning everything that has preceded them. The divide between the two types, in the musical and cultural world, has never been deeper than in the first half of the 20th century...
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Vasks & Brahms: Piano Quartets

With its actual recording of Johannes Brahms Piano Quartet no. 1 in G minor (Op. 25), the Et Arsis Piano Quartet makes an independent, militant contribution to the discussion about the musical interpretation of Brahms. The contemporary Latvian composer Peteris Vasks gives his music the experiences of his people during Soviet rule and transformation time_exp: With its unmistakable signature Et Arsis sets the bar high for the interpretation of Vasks' sole piano quartet.
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L Amore e Poesia - Vocalises for Soprano and Orchestra

L’AMORE È POESIA (”love is poetry”) is a song cycle for soprano and orchestra, built around four vocalises and an orchestral interlude. The various pieces were written over the course of nearly a decade, and at very different stages of my life. But they all are connected with each other by the underlying theme set forth in the title.   The compositions feature a wordless soprano, even though I was urged by several of my friends to use a libretto at first. However, it occurred to me early on that the music could be vocal but without relying on words...
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Der Karneval der Tiere - Große zoologische Fantasie mit neuen Texten von Willi Weitzel

Karneval der Tiere: tierischer Spaß nicht nur für das Publikum von morgen. Die jüngste Veröffentlichung der Wiener Symphoniker auf dem hauseigenen Label stellt eine Premiere in gleich mehrfacher Hinsicht dar. So dokumentiert die CD die erfolgreiche Zusammenarbeit des Orchesters mit Lahav Shani, der ab der Saison 2017-18 der Erste Gastdirigent des Klangkörpers ist. Darüber hinaus ist die CD die erste Veröffentlichung von „Young Symphony“, dem Kinder- und Jugend-Programm der Wiener Symphoniker...
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